It’s been half-a-decade since Quentin Tarantino and Robert
Rodriguez unleashed Grindhouse, their
festering love letter to no-budget drive-in B-Movies. Sitting in that empty theatre on opening
weekend, Easter 2007, I never imagined we were perched on the rusty razor’s
edge of a new era in Exploitation cinema.
The movie paired Rodriguez’s Planet
Terror with Tarantino’s Death Proof. Sandwiched between the John
Carpenter-inspired zombie flick and the country-fried killer car movie was a
trio of hilarious fake trailers directed by genre acolytes Edgar Wright, Eli Roth and
Rob Zombie. But this three-hour
magnum-opus of oozing viscera, perky tits, big guns and twisted metal unceremoniously
bombed at the box-office. While guys like
Ti West (House Of The Devil) and actor-turned-director Michael Biehn (The Terminator, Aliens)
have done their best to perpetuate retro-cool in the intervening years, hope is stirring on the horizon.
Rodriquez and Danny Trejo are gearing up for Machete Kills, a sequel to their 2010
grinder about a Mexican migrant-worker turned assassin. Mel Gibson has been recruited to play the
heavy, while fellow train-wreck Charlie Sheen joins the cast as the President
of the United States. Immediately after
wrapping, Rodriguez will jump into production on the long-awaited sequel to Sin City.
After months of relative radio-silence, The Man With The Iron Fists has finally laid its cards on the
table. An action-packed trailer for the Kung-Fu epic debuted last week. Directed
by Wu-Tang Clan’s RZA and co-written by Eli Roth (Cabin Fever, Hostel), the
flick appears to be wallowing in the same cinematic gene pool as Kill Bill. In addition to shepherding The
RZA’s directorial debut, Roth is currently prepping The Green Inferno, his ode to the long-dormant Cannibal sub-genre.
This weekend The Cartoon Network’s Adult Swim banner
will debut an animated spin-off of Scott Sanders and Michael Jai White’s
Blaxploitation spoof, Black Dynamite. White starred in the original film, and will return
as the titular soul-brother. While he’s best
known for playing the live-action version of Spawn, I prefer to remember
him from this stellar sword-fight cut from Kill Bill: Vol 2.
These are all fairly mainstream offerings, inspired by the shitty Chop-Socky Horror Western Slashers of yesteryear. You know the stars, and by now you know the score. These flicks are made to entertain, salacious tongue planted firmly in cankerous cheek. The production values are robust, even when they're made to look like they aren't. But if you're looking for the real deal, Mondo Exploito and Revok are great places to start delving deeper into the Grindhouse cesspool. Just remember, there are some things that can't bee unseen.
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